Essay Sample Focusing on Jane Eyre: A Realistic Representation of Time on the Identity of Women

Published: 2022-12-11
Essay Sample Focusing on Jane Eyre: A Realistic Representation of Time on the Identity of Women
Type of paper:  Research paper
Categories:  Women Jane Eyre Character analysis Gender in literature
Pages: 6
Wordcount: 1429 words
12 min read

In her life, an elaborate social conflict exhibits. Jane Eyre, by Charlotte Bronte, encompasses on how Jane opens her heart into reconciliation with the world whose values she wasn't entitled to regardless of her code of values that she presently lives and adheres to. Mr. Rochester, who plays a role in Jane's life turns out to be a tormentor in Jane's heart. This is the most evident part that defines the conflict of love within herself and the people surrounding her. Jane's character is established in Charlotte Bronte's initial chapters.

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According to her and the personality in which she perceived things, she urgently needs to grant him support. Her love for him blossoms and she needs to wed him. In the process, Jane learns of a hitch; Mr. Rochester is engaged! Albeit to an unsettled spouse breaking her heart and thus, Jane Eyre, regardless of the fact that she adores him, she can't settle with him. She endures inside and outside of battles. From inside her, she wants to make a decision. She wants the best decision for herself as well as a good decision for the man she adored with her whole heart. The societal conflict also comes to light where Jane is expected to make a decision befitting her family as Bertha's sibling. Rochester's love for her depicts that he still need Jane; a conflict of man vs. man although he is distantly engaged with another person and can't withstand guilt of living with Jane.

Jane needs to move on with her life despite the situation she is in. She ought to overlook Mr. Rochester and the love she has for him and continue with her own life. Her inner voice, however, streams with by and by proposals for the though-found love of her life. She can't disregard it. At this point, she hears Edward's voice on the breeze calling to her; only to come back and discover Thorn field crushed by the flame of Bertha. Here, she begins a coexistence with Edward. The primary conflict of Jane's contention is thus settled. Her life is surrounded by settings that interfere with her ideas of acknowledgment. Jane falls out with her cousins who in essence are her immediate family, and the situation sums up to sibling rivalry (Bronte 11).

John, Jane's cousin, subjects her to difficulty on numerous encounters. Mrs. Reed looks down on Jane and fervently acknowledged Jane's action of embracing and encouraging Bessie before her. She insinuated that Jane was such a strange child. She asked how Jane would not be sorry about going to school and leaving poor Bessie behind. (68)

Her aunt and cousins subject her to so much hatred yet she holds fast to her personality keeps it to herself regardless of this situation. The confrontation she faces from Mrs. Reed doesn't pin her down. The aunt forces her into the Red-room where she would administer punishment to her. Despite her character of obedience, she declines, but Mrs. Reed forces her in. The red room was symbolic to Mrs. Reed in its setting as its chambers were huge within the maisonette (p.11) her inferior position in the family of Mr. Reed can only allow her step in the Red-Room through punishment.

She suffers justified hatred against the Reed's without remorse. Finally, Jane is set to leave for the Lowood institute to assist orphaned and education maligned kids. The institute is funded via charity (Bronte 24).

Out of anger, Jane says that she is glad Mrs. Reed is not related to her and that she would never refer to her as the aunt in her entire life. She goes on to say that she would never visit Mrs. Reed when she is all grown up. Should anyone ask her about her love for her aunt and their relationship; she says she would say it as it is for being cruel to Jane. In miss Jane's association with Mr. Rochester, she gathered courage and let him know of the way he treated her. This was in anticipation she would get deserved treatment. She said to Mr. Rochester that her thoughts were that, he had no right at all to command her; only because he was older than her or with reason that he had adventured a lot of ideas in the world than she had (Bronte136). Jane, however, had a different view on love and marriage. The difference was simply social normality. The idea of women getting into marriages just to achieve status, wealth and prestige amused her when in reality it should have been for love.

On the one hand, she had a different belief whereas, on the other, she contradicted herself especially when they step out and go shopping. Mr. Rochester instructs her to choose six dresses she likes. She is shocked as she thinks they are too many and urges him to cut the number a pair of dresses. She is also concerned about how expensive the dresses are and instead persuades to him to purchase gowns which would be relatively cheap. Here, the conflict of Defiance of culture exhibits again as he reduced the number of dresses to her proposal. Two men, one she loved and the other she didn't propose to her. St. John the missionary was there for her when she needed someone to offset her needs (Bronte 254-255).

Jane yet endures another conflict of the wish for equality. St. John proposes to her, and she refused. She believes that it was not out of love (Bronte 387). She thought to her herself that would use her merely for self-missions. He, St. John, re-proposes again on a second time and she declines again. In her heart, he is a brother to her even though she is aware she would be without a husband and endure a social conflict. The defiance culture exhibits here. She then is tasked with marrying Mr. Rochester but acts defiantly; notwithstanding equality views but instead, she wants to put her destiny within her control rather than be loved.

Into the end, Jane Eyre refuses to sacrifice anything to bail her significance. The views on what is right and that which is wrong according to Jane and sets the views as a parameter from which she standardizes her love life. The truth about Bertha comes to light when Mr. Rochester is about to exchange vows with Jane. She is his distant insane wife. It happens in the manor house. She forces and leaves manor house without wedding the man she loved. According to her, she believed this is what is right. What she thought was right is the fact that a bride, Berth, stood between her and the man she loved (Bronte 301). Berth did not live long after.; she died, and the two lovebirds took to the aisle and tied the knot as equals.

At manor house, she elegantly dressed. Her beauty, height, and features contrasting those of the love of his life; who was fairly large and dark. Over her should rest a scarf that overran her breast into the side and clinging to the knee level. Jane greatly earned admiration from the congregation limited to not only her beauty but for her attainment as well. (301)

The conflict of marrying for love as opposed to wealth and status is the other of Jane's moral value. She had a lot of reasons in turning down St. John's proposal; however, one of the reason was that she didn't have any feelings for him and thus did not love. His occupation as a missionary makes Jane look at him as a brother rather than a potential lover. It dawns on her that she would be left without a husband, but stills fight the internal conflict in "defiance of a culture"Some social standards outlined over time bypassed her as she defied a number of them. Gender equality and morals and even self-values are amongst the conflicts Jane strived for. She earned respect and admiration for her unwavering holding of these virtues and beliefs both in Charlotte Bronte's work characters and real life. From the character she plays, women and social groups are enlightened on how they would stand up to societal conflicts regardless of whether they would be accepted socially but be respected (Bronte 563).

Works Cited

Bronte, Charlotte. "Jane Eyre. 1847." Ed. Richard J. Dunn. New York: WW Norton & Company (2001).

Bronte, Charlotte. "jane eyre." Medicine and Literature, Volume Two. CRC Press, 2018. 53-72.

Bronte, Charlotte. Jane Eyre Ebook (downloadable Pdf). New York: ABDO Digital, n.d.. Print.

Bronte, Charlotte. Jane Eyre. Hertfordshire: Wordsworth, 1993. Print.

Bronte, Charlotte. Jane Eyre. Philadelphia, Pa: Courage Books, 1991. Print.

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