Essay Example on Art Museum and Oleg Tselkov

Oleg Tselkov is a Russian Contemporary and postwar painter born in 1934. Tselkov had various exhibitions at critical museums and galleries including the Moscow Museum, particularly at the Petrovka Street. In most circumstances, Tselkov works appeared in auctions because of his prices that ranged between $330 to $354 depending on the medium and size of the artwork. From the year 2004, most of his works especially the four-headed were auctioned above $330 in London. Due to his great pictures, Tselkov was mostly featured in articles for the BBC news, the Art daily and the Art Media Agency.

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For many years, Tselkov painted the same portrait of a humanoid creature, a monstrous mutant that had horrible flat faces, lipless mouths that resembled a man screaming and tiny slits for eyes. The image which also portrayed muscular violence left us with the memory of Cesare Lombroso research that contained asymmetrical skull, born criminals, protruding face and eyebrow ridges as well as a physical creature that looked like it never caused pain to itself or someone else.

When a comparison is done between the physical looks and the internet, it is clear that online images reveal a source that looked powerful and naked conquering the aggression represented in systems that most artists used while growing up. Upon a few types of research, it was discovered that Tselkov was an evil person born of socialism while creating a parody to the authoritarian society and that is why he painted the 'Newman' to represent the 'Soviet People' who had unity in every impulse. After Kazimir Malevich peasant cycle that took place in 1932 which was banned from the public view also had figures that portrayed that of individual traits. The study also revealed that during those years, the Russian Museum had significant breaks that made it turn to a vast country that had millions of victims that transformed due to Tselkov pictures.

Golgotha has a paperback that gives a story of Tselkov, a professor that smuggled paintings out of the Soviet Union. The image also had color reproductions of artworks that had shown a journey of Tselkov from when he lived on Russia to the Zimmerli Art Museum walls in New Brunswick. The photo also portrayed a story formed from the images of the human figures and faces, anthropomorphic mutants and reminiscence of sinister masks. The model also showed a kind of reaction of how severe Tselkov works were portrayed. For instance, when I first looked at the photo, I realized it has bright aniline and large scale colors.

When strictly observed, all faces had incomplete teeth in their mouths but looked happy. The three above have hands that resemble the feet but pinned on the wall by pins. However, one side is seen to hold the rope that is tied to the blue curtain to prevent unnecessary covering. Their faces, however, do not show any sign of pain. Their front looks like the back of the buttocks, particularly where the stomach is positioned. In short, there are significant changes seen in the mage both on the internet and lively. Any view seen however shows that Tselkov always passed a message to the viewers. Most of his paintings never made sense when someone looked at it but after a view views, it was clear that every image had a hidden message.

Works Cited

About Oleg Tselkov | Biography | Painter | Russia | UpClosed. upclosed.com/people/oleg-tselkov/.