Essay Sample on Traditional Tribal Hawaiian Print

Traditional Hawaiian Tapa Tribal Print, Brown Black, and Cotton Fabric

One of the Hawaii tapa sleeping sheet artworks, it is known as Traditional Hawaiian Tapa Tribal Print, Brown Black, and Cotton Fabric. The materials used in making this specific object include a pure mixture of Dobby cotton fabric, print cotton fabric, ivory, and lava cloth (Hermkens, 2013). As the name suggests the paints, which are basically the colors used in making them include brown-black and white color paints. The size of the image is 1000 by 1000. Traditional Hawaiian Tapa Tribal Print, Brown Black, and Cotton Fabric originated from the Pacific Ocean primarily in Tonga, Fiji, and Samoa. Initially, it was called backcloth and later its name changed to traditional Hawaiian tapa tribal print. Traditional Hawaiian Tapa Tribal Print, Brown Black, and Cotton Fabric is made primarily from the trees of the Moraceae family. The materials are derived through beating sodden strips of the fibrous inner bark of the Moraceae trees into sheets which are then finished into making a complete sleeping sheet.

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Introduction

Traditional Hawaiian Tapa Tribal Print, Brown Black, and Cotton Fabric was used to represent the culture of different communities especially the Tongan. The fabric was not only used in making the sheets but also in making clothes that represent the culture. Some of the communities in Hawaii are reviving the practice by putting the Traditional Hawaiian Tapa Tribal Print, Brown Black, and Cotton Fabric tapa sheet into use. Today, the Traditional Hawaiian Tapa Tribal Print, Brown Black, and Cotton Fabric is present in a various museum in Hawaii but with different texture and look as compared to the ones made in the past. The present material is soft, thick slightly textured fabric since it is not made by the tree bark. Historically, the Traditional Hawaiian Tapa Tribal Print, Brown Black, and Cotton Fabric were being used for home use. However today the material is used for home furnishings such as curtains, upholstery, slipcovers, and drapery. The Traditional Hawaiian Tapa Tribal Print, Brown Black, and Cotton Fabric was considered a home fashion during the 1940s and 1960s.

South Pacific Island tapa hand-painted mounted on board vintage original Polynesian art

The object is known as South Pacific Island tapa hand painted mounted on board vintage original Polynesian art. The materials used in making these object include tapa cloth, pieces of plywood and different types of painting. The size of the image is 12 by 12 and it is an example of beautiful Polynesian art (Lehman, 2012). The colors that are present in these object are cream, black, and orange. Each color has its hidden meaning. Therefore, the object has its meaning to the people of Hawaii Pacific art. The south pacific island tapa-sleeping sheet was introduced from Southwest Asia during the migration. During the period, the bark of the tree is what was being used to make the South Pacific Island sheets. As time goes by different materials were introduced in making the south pacific island tapa sleeping sheet. Some of the materials which were added include painting materials such as brown paint from the Koka tree. The paint was to be rubbed over the sheet allowing the paint to stick permanently. Applying different colors on the sheet was to achieve the desired color and pattern. The South Pacific Island tapa hand painted mounted on board vintage original Polynesian art is found at the Ocan side museum of art. Places such as Tonga, people are considered to be poor however much money they might seem to have if they do not offer the stock of South Pacific Island sheet to donate to at any life events such as funerals and marriages. When the South Pacific Island tapa hand painted mounted on board vintage original Polynesian art is donated to a family by a chief or from the royal family then the sheet is treated more valuable.

Introduction

The South Pacific Island tapa hand painted mounted on board vintage original Polynesian art is very important since it is used in very expensive functions such as ceremonial masks in Papua New Guinea. The most of all the sheet is used to wrap the sacred objects, for example, God staffs in the Cook Islands. In the past, the South Pacific Island sheets were used for clothing and for sleeping purposes. However, today lots of changes have been made in the manufacturing of South Pacific Island sheets such as a change in materials such as cotton and texture. The initial South Pacific Island sheet had weak tissues that were making the sheets to lose its strength when it was wet. However, the present South Pacific Island sheets are hard and strong and not easy to fall apart because they are made of cotton and other materials that are strong as compared the ones used in the past. Both men and women were capable of making South Pacific Island sheet since they had the materials required in making the sleeping sheet. Women were good at decorating the sheets while men were good in producing the strong sheets. Unlike in the past when the South Pacific Island materials were used in making sheets alone, today the materials are also used in making blankets.

References

Hermkens, A. K. (2013). Engendering Objects: Dynamics of Barkcloth and Gender among the Maisin of Papua New Guinea. Sidestone Press.

Lehman, A. M. (2012). Assessing the impacts of gene flow between endemic Hawaiian cotton, Gossypium Tomentosum, and two commercial cotton species (Doctoral dissertation, [Honolulu]: [the University of Hawaii at Manoa], [December 2012]).