Essay Sample on "Avengers: Endgame" Movie Review

Avengers: Endgame is a blockbuster movie that consists of the Marvel Comics superheroes produced and distributed by the Marvel studios and the Walt Disney Studios. Even though the film was designed to be a blockbuster, it became a movie with a dozen subplots and familiar faces that made it collide with the other movies. The film was directed and written by Joe, Antony Russo, Stephen McFeely, and Christopher Markus. Endgame is engineered with creative elements from society.

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It does this by showing how someone’s dreams can be detected through real-life experience to relieve the mental tension of misplaced anxieties and fears (Marvel Entertainment n.p). The film’s sequel is from the 2018 Avengers Infinity War and the 22nd movie produced by the Marvel Cinematic Universe (Marvel Entertainment n.p). The idea is that Hollywood has never created such a film before, or it did not just exist or exploit the fans that loved it but to reward their patience, undying adoration, and love. The paper will review the Avengers: Endgame movie.

The Endgame

The term ‘Endgame,’ does not mean the end of the Marvel Cinematic Universe because Disney continued to expound more on the film. After the last phase, the producers incorporated the stories of Black Panther, Captain Marvel, and Spider-Man while adding heroes across the little and big scenes (Aguilera and John Johansson 98). However, the only part that was the last one to be shown was the Avengers team-up-event.

It is difficult to see in the film that the MCU fans walked away because they were disappointed by the movie. After all, the film checks all the boxes, including the ones the fans never expected they would exist (Aguilera and Johansson 95). In terms of the value of the sheer entertainment, the film is on the higher end because it elevates the iconic heroes to their legendary status to provide the legitimate thrills that make the movie exciting.

The denouement of Marvel prime heroes has painstakingly cultivated and established the creation of the movie by assisting them develops the empire (Aguilera and Johansson 103). This was successful after the Avengers were given the happy endings that contained both the icon franchises of Captain America and Iron man to a more focused franchise and specialized outsider Jeremy Renner’s Hawkeye and Johansson’s Black Widow.

Alongside Bruce Banner’s wayward trails, their story was unable to reconcile Chris Harmsworth and Hulk’s hearty, ultimately worthy and despairing Thor. All in all, the story turned out to be one of tragic, heroic, and origin battling against evil by bringing together victorious heroism to be part of the worldly compromising superheroes. The film’s final departure became more meaningful when it was grandly banded by the 22-film tapestry (Aguilera and Johansson 105).

The additional films all played a separate role to form the movie. For instance, each battle was supposed to have an assembly that served the touchpoints- to embrace to Thanos: consolidator, the cosmic boogeyman, and galactic tyrant who were the users of grand powers. The idea was to show that even though their Avenger used their skills to avenge, they must struggle at some point to make the movie exiting.

With the universe’s fate, the superheroes in the movie failed. This left people in shock and despair when the realization of the Avenger losing prepared the mind of the audience that everything must end well (Aguilera and Johansson 124). Primarily, when this movie was being created, this scene was incorporated on the comic book to show the planned sequels of the new guys who were supposed to come to win the fight.

The sequel to the final saga showed that Endgame came with part two that hade the most mesmerizing collection of the original six Avengers. The reason why the producers took this direction was to craft an intriguing plot that renewed the conflict that arose from the failure to offer a more satisfying conclusion that characterized the heroes as marvelous. The idea was to show the audience that heroes don’t close quickly.

The Final Fantasies

The story in the movie begins with the out-of-the fight situation when Clint Barton loses his family to Thanos. The plan here was to show the impact caused by the previous iteration conclusion that localized the absentee heroes (Gideonse 37). The effect of using this is because of Bartons while he was at the grid farmhouse in the Age of Ultron. The film's opening tone gives the audience the feeling of the end of the Infinity War due to tragic and sudden loss.

The fact that Hawkeye's families were dusted outside their gate conveyed an irreversible failure of superheroes that never won in their life. However, the producers cut the space by showing Nebula and Stark playing paper football while playing Benatar's classic rock tracks to show the audience that they were the only strange duos that survived the fight from Titan (Gideonse 42). The show of the highest and spectacle stakes elaborates more on how Endgame was formed from a top art fantasy.

The same case is also seen in the comic book because they have the same book-to cinema relation. In the comic book, for instance, Marvel's bombastic CGI-laden road was carved out as a feast of the ears, eyes, and the heart (Gideonse 54). The Endgame is universal and a celebration of itself because of the natural endpoint derived from the error of assembled heroines and superheroes. The movies are also for fantasy fun that one should watch before they go to sleep to steep their emotions, but it turns out to form a wild world for the viewer.

The Infinity War was not adapted directly in the movie but inspired by the infinity war runs and Gaintel in the 1990s (Aguilera and Johansson 129). This how the Avenger's comic book got its content from the movie, such as the culmination of narrative arcs, action, and characters to create the spirit of escapism. Endgame is also the most impressive film produced by a compelling plot consisting of the finality of the conflict raised from the saga.

The film is very first to show the audience of its start to the stop. One example is when the surviving Avengers noticed the when Thanos was hiding, trucked him, and hunted him, only to realize that the stones they were looking for were missing (Aguilera and John Johansson 135). This is where the audience is left in suspense as they do not know the next plot of the movie but gives them an idea of what will come next.

When someone watches the movie, they will also come across the payoffs, electrifying, and fruitions narrative and visual delights of the whole MCU span shown before the real action (Gideonse 48). Through the potential escaped of the desperate and the quantum realm, the Avengers plan to rectify things through a time heist. Before the stones were destroyed during the mass exodus time, the Avengers revive back to their moves to dodge the past iterations when hunting for the infinity stones.

The small group later travails the mirror Thanos journey because of the infinity war but in a wonky satisfying way. It was only through the meddling time when Thanos designs meddle it back. As a result, the actions invite people again to observe the success of their mission. However, they also ask another conflicting situation, such as facing the Titan through the last fight to revenge their previous defeat.

The film is incredible because the plan makes sense and makes the viewer understand the importance of time in the universe. In other words, time does not change the reality of things, but a somewhat alternate one creates one from the previous incidents. Hulk's professor also quoted this by explaining that "when one travels into the past, anything they do becomes their past. This makes the future to become a perspective of the past one is planning to travel to." (Aguilera and Johansson 137).The prophase wanted to educate people that time meddling designs a new universe to alter the future.

The idea mentioned by the professor is different from other time travel movies, but the interpretation is accurate because it shows what happens when one travels through time. Given the unreality of the film, the idea created is that one should let the ridiculous paradox of time to move to enjoy their time in the future. The time heist, as seen, is very helpful because it restores people to their track.

The final fight in the Endgame worth the admission because it brings the viewer's back to Thanos vs. Avengers. However, in this movie, the players are different in characters and positioning. For instance, the big three (Thor, Captain America, and Iron Man) unite to defeat the Mad Titan (Gideonse 54). The next scene is the thunder-crackling war, the spirit-soaring, and eye-widening actual infinity war takes place to show how the power of three can defeat the enemy.

This reflection shows how the movies share the moments of excitement feeling to the audience that most action movies produced in the past. Endgame's collective thrills and build are unprecedented at the stellar box action performances (Aguilera and Johansson 139). It also appears as a privilege because the film is said to be one of the best when it comes to action. The end of the movie is also evident because the actors and filmmakers understand the fantasies needed by the customer and end up delivering the same to satisfy their needs.

The Will to Win

The recurring theme observed and explored in the ultimate end in Endgame is losing and winning. In fiction and reality, from a no contest to two forces that are staunchly positioned in the opposing ideologies form a war. The simplicity in the fight and battles are often determined upon the loser and the winner. In these movies, battles are cinematic because of the fight scenes made through hand conflicts to make the film exciting (Gideonse 59). This is why people know that Endgame is a superhero film because one most wins while the other loses.

With Marvel cinemas, there are exploration themes that are beyond the ancillary power to the imposition and strength of will to fight. Sometimes there is not a real villain, and sometimes there is no winner. At some point, the battle becomes meaningless to the point the hero figures lose in a war to win in the future. This is the reason why the customer always goes back to see the same film. However, this does not mean that comic books lack nuance, but they also have a continuous series.

With comics and Marvel cinema, various explorations of themes of power, the imposition of will, and the ancillary to strengths are used to make the movie more exciting. Regardless of the core conflict, they all end up in war because this is part of the genre. The strivings of the villains and the heroes will eventually engage in violence (Gideonse 63). For this same reason, the directors and producers emphasized the will to win the theme.

The reason behind this move is that winning grants the team important stuff, hearth, home, companionship, love, and the future. Despite the godlike proportions, the Avengers who had their lives in conflicts seek the same title of winning. The passion of humanity is consistently seen within the MCU display. Thanos and every Avenger had responsibilities of protecting something they wanted to attain (Aguilera and Johansson 143). This makes the film have a colorful cast of people with power who fight each other for the sake of the future, the world, and their legacy.

It is vital to understand that the Avengers were fighting against A.I, rogue, cosmic despots, the trickster demigods and not the income equality, a monopolistic corporatocracy, changing cultural norms, and climate change. However, the role of fighting the cosmic invaders and their boss Loki was more natural. Promethean, in this case, becomes their consequence after engaging with Ultron their science experiment (Gideonse 67).